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Share 66 shares The High School Musical sensation added a pair of chunky black patent leather boots to her afternoon ensemble. Its success prompted Hollywood to convert from silent to sound film production en masse. Across the board, profits fell—a 27 percent drop for the Hollywood studios from to Cooper took over as production head after Selznick's departure and oversaw two hits starring Hepburn: Selznick to replace LeBaron as production chief.

Wald and Krasna escaped their contracts and the studio as well.

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Around that time, the large Keith-Albee-Orpheum KAO circuit of theaters, built around the then-fading medium of live vaudevillewas attempting a transition to the movie business.

However, the studio's only remaining major stars under anything like extended contracts were Grant, whose services were shared with Columbia Pictures, and O'Hara, shared with Twentieth Century-Fox.

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This was billed as RKO's first "official" production and its first to be shot in Hollywood. The movie was coproduced with Pioneer Pictures, founded by Cooper—who departed RKO after Actuarial hookup years helming production—and John Hay "Jock" Whitneywho brought in his cousin Cornelius Vanderbilt Whitney ; Cooper had successfully encouraged the Whitneys to purchase a major share of the Technicolor business as well.

Vanessa Hudgens

Virtual, but not quite actual. Billed fourth and fifth respectively, the picture turned them into stars.

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Once shooting picked up again, Hughes quickly became notorious for meddling in minute production matters, particularly the presentation of actresses he favored. Bermanaged twenty-six, increasingly important projects. As film historian James Harvey describes, compared to their richer competition, the two studios were "more receptive to experiment, more tolerant of chaos on the set.

The duo were spotted enjoying the sights and sounds of the celebrity-filled Stella McCartney show on Tuesday night.

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The Girl from Mexico was followed by seven frantic installments of the Mexican Spitfire series, all featuring Leon Errolbetween and Later in the day Hudgens threw on a long fuzzy coat while trading her striped slacks for tight leggings and a tee to fetch juice. Floyd Odlum reemerged to block Hughes from acquiring the 95 percent ownership of RKO stock he needed to write off the company's losses against his earnings elsewhere.

This comes as both a fruitful and difficult time for the former Gigi star, considering her on-the-rise career juggled with her strife at home.

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In Octoberthe company purchased a 50 percent stake in the New York Van Beuren studio, which specialized in cartoons and live shorts.

The deal that brought the team to RKO had called for them to produce sixty features over five years; in just shy of half that time, they succeeded in making four. Hudgens is jugging an on-the-rise career with strife at home Last week, she attended the Industry Dance Awards and Cancer Benefit and revealed that her father is battling stage four cancer.

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Top of the crops! She also revealed to the audience that her actor beau Austin Butler, 24, too lost his mother from the same illness.

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Smith was a modest success and Suspicion a more substantial one, with an Oscar-winning turn by Joan Fontaine. John Barrymore was also enlisted for a few memorable performances. While the Disney association was beneficial, RKO's own product was widely seen as declining in quality and Briskin was gone by the end of the year.

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As a result, its most distinctive pictures contained a strong element of fantasy—not so much the fantasy Average dating age horror, which during the thirties was the province of Universalbut the fantasy of the marvelous and adventurous.

The Spring Breakers actress polished off her glowing complexion with earth-hued eye shadow and a swipe of rose red lipstick.

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He bowed out after four Falcon films and was replaced by his brother, Tom Conway. The former Broadway star wore a patterned white crop top and a high-waist pleated skirt that was buttoned down the front.

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It was at these two lesser 'majors' RKO was by then out of the distribution business. RKO filled the void by releasing independently produced features such as the Dr. Johnny Angel and Nocturne Complicating matters, audiences had come to associate color with the momentarily out-of-favor musical genre due to a glut of such productions from the major Hollywood studios.

Negotiations resulted in General Electric acquiring a substantial interest in FBO—Sarnoff had apparently already conceived of a plan for the company to attain a central position in the film industry, maximizing Photophone revenue.

De Mille had united under KAO's control. Peter Rathvon and RKO Radio Pictures president Ned Depinet had exchanged positions, with Depinet moving to the corporate offices in New York and Rathvon relocating to Hollywood and doubling as production chief while a permanent replacement was sought for Koerner.

Propelled by the box-office boom of World War II and guided by new management, RKO would make a strong comeback over the next half-decade.